Janet Michael

Actor, director, writer, musician Janet Michael first heard old time blues when she was working at the Music Library at McGill University in the 1970s. She remembers: "There was a Folkways collection in that library that got a helluva lot more attention than the book stacks or the circulation desk. I was combing through those records when I first heard Huddie Ledbetter [aka "Leadbelly"]. Huddie wasn't strictly blues but he had a sound that just hooked me and made me hungry for more."

Huddie Ledbetter, aka "Leadbelly" (1885-1949)

"Montreal was a great jazz and blues town then and so every time I could afford to get into a club to hear blues I would. I saw Muddy Waters, Buddy Guy, Junior Wells, Sonny Terry and Brownie McGee. When I picked up the guitar, the very first song I learned was "Midnight Special." Shortly after that I discovered Jimmy Reed and added several of Jimmy's songs to my repertoire. Over the years I've had the opportunity to hear live, among others, Ellen McIlwaine, Bo Diddley, Willie Dixon, B.B. King, Marva Wright, Sue Foley, George Leach, Kelly Joe Phelps, Scott Goudie, Denis Parker, and Roger Howse. Not the least of all these very inspiring artists has been Peter Narvaez who opened up my world to some of the great female blues artists — Katie Webster, Koko Taylor, Sugar Pie DeSanto and Memphis Minnie whose songs I love and feel privileged to perform. One blues vocalist I must mention because she's so brilliant and she's had a signifiant affect on my work is Etta James. I think Etta's recording "Seven Year Itch" is an absolute masterpiece. I can safely say that I am a vocalist first and foremost and while I'm happy to grab my axe and play for a crowd, I love it when someone wants to back me and I can just cut loose. Lots of diffrent musical styles have come and gone in my life but I can't seem to shake the blues. And that's okay with me!"

Etta James

Memphis Minnie (1897-1973)

Recent Gigs

Rita Joe Sings the Blues

At Toronto's Luminato Festival of Arts + Creativity in June 2008, Janet Michael wailed on 'Job in the City' in a special presentation of the seminal Canadian stage play The Ecstasy of Rita Joe. It's the first time the lyrics of playwright George Ryga were put to the blues test. When Janet was approached by Western Canada Theatre and Vancouver Playhouse to compose the music for the Luminato production of Rita Joe she assumed she'd be working in the land of folk. But when she tackled the central musical theme of the play 'Job in the City' there was only one solution - blues ! 'Job in the City' and the blues is a beautiful marriage as folks who were there for that one time production will agree.

 

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